Translation Procedure of Full Moon in the Midwest , Is it the Sound of Pines , and the Moon Poems by John H . McGlynn

This research aims to describe the use of translation procedures in translating Full Moon in the Midwest, Is it the Sound of Pines, and The Moon poems. This research was conducted using a qualitative approach. This was done that researchers can describe the use of translation strategies applied by translators. Data sources are three poems by Taufik Ismail entitled Pantun Terang Bulan di Midwest, Adakah Suara Cemara and Bulan, and translated into English by McGlynn with the title Full Moon in the Midwest, Is it the Sound of Pines and The Moon. In analyzing the data, all translated poems and original poems were analyzed, and the results of the analysis were compared to see in what aspects each of the poems of the translation and poem was equivalent and faithful. The result shows that in terms of meaning, aesthetic values, and structure, Full Moon in the Midwest, Is it the Sound of Pines and The Moon is the result of a faithful translation from Pantun Terang Bulan di Midwest, Adakah Suara Cemara, and Bulan. Each target language successfully defends the meaning of the source language. In other words, the translation of the three poems can meet fidelity.


Introduction
Translation as a means of exchanging information has various benefits in it. Soesilo (in Kaswanti Purwo, 1990)  And the translator should try, at his best, to transfer these specific values into the target language (TL). As one genre of literature, poetry has something special compared to the others. In a poem, the beauty is not only achieved with the choice of words and figurative language like in novels and short stories, but also with the creation of rhythm, rhyme, meter, and specific expressions and structures that may not conform to the ones of the daily language. In short, the translation of poetry needs 'something more' than translating other genres of literature.
As one type of literature, poetry is an important target for translators. Poetry is classified as the oldest literary work that 118| JELTS Vol. 2 No. 2 began to be created and enjoyed by all levels of society -both farmers, soldiers, scientists, lawyers, doctors, philosophers, to kings and queens -since about 3000 S.M. (Microsoft Encarta, 2005). Even so, poetry is still a part of everyday human life. Perrine (1973: 3) states that poetry is a literary work that is important because it has something special, a kind of unique values about life. Therefore, it is not surprising that many poems are translated into various languages. According to Baker (2005: 170), the practice of translating poetry has lasted more than 2000 years. Purpose of this study was to find out: (1) Procedure were used by translator in Although it is good in terms of meaning, it is likely that the text obtained in the third stage is still rigid. Therefore, the next task the translator must do is 'refreshing' the rigid version so that it feels natural to the target language speakers. This is achieved by adjusting the target language variety with the source language. If the source language is formal, then the target language must also be formal, and if the language of the original poem is informal, then the language of poetry translation must also be informal.
In the fifth stage, the translator listens In the next stage, the translator needs to pay attention to the music -the rhythm of the original poem must be preserved in the  Adakah Suara Cemara, use auditory imagery. This is very appropriate considering the purpose of writing this poem as a poem about beauty "musik alam", the lines in all three verses of poetry use words that stimulate the sense of hearing, such as: "suara", "mendesing", "menderu", and "menyeru". In Is it the Sound of Pines, this translates into "sound", "hiss", "roar", dan "knell". Therefore, in terms of imagery usage, Is it the Sound of Pines is correct translation from Adakah Suara Cemara.
Incorrect translated is "terpelanting" to "broken." 125| JELTS Vol. 2 No. 2 Bulan and The Moon also use several personifications to enhance the "lively" impression of the two poems. In Bulan, use personification "Sungai pun lelah" and "Dan mengangkut", in The Moon translated to "The weary river" and "Shoulders".
"Shoulders", which show that the river "memundak" the leaves scattered in this context even managed to reinforce its function as personification. In connection with that, in terms of the use of imagery and personification, The Moon is a relatively corect translation of Bulan.

Structure and Expressive
Pantun