Kajian Estetika Tari Setra Sari karya Gugum Gumbira

Herly Merliana, Farah Nurul Azizah

Abstract


Setra Sari Dance is a Jaipongan dance repertoire by a maestro named Gugum Gumbira Tirasonjaya in 1981 as an industrial necessity at that time, namely one of the promotions of Jaipongan's cassette song entitled Serat Salira. This dance is unique and different from other Jaipongan dance works, especially in the smooth character of the movements and colors of the clothes. Therefore, the author is interested in exploring the aesthetic elements of dance, so qualitative research and Djelantik’s intrumental aesthetic theory are used with a descriptive analysis method approach that goes through stages of data mining such as literature study, observation, and data analysis. Based on the results of the analysis, it was concluded that the Setra Sari dance was formed by three main elements, namely; form, consisting of form and structure. The structure includes; choreographic structure, dance accompaniment, and make-up. Weight or content, including; atmosphere, ideas, and messages. Appearance or presentation, including; talents, skills, and means or media. These three elements are dance aesthetics that are the identity of the Setra Sari dance.

 

Keywords: Dance Aesthetics, Setra Sari Dance, Gugum Gumbira


Keywords


Seni

Full Text:

PDF

References


Caturwati, Endang dan Lalan Ramlan, Ed., (2007). Gugum Gumbira dari Chacha ke Jaipongan. Bandung: Sunan Ambu Press.

Djelantik, A.A.M. (1999). Estetika Sebuah Pengantar. Bandung: MSPI (Masyarakat Seni

Pertunjukan Indonesia).

Jumantri, Muhamad Caesar dan Trianti Nugraheni. (2020). “Pengkajian Gaya Busana Tari

Jaipongan Karya Sang Maestro”. Gondang: Jurnal Seni dan Budaya, 4 (1), 9-15. https://jurnalunimed.ac.id/2012/index.php/GDG/article/view/16324/13207

Maulana, Melan. (2019). “Wirasa (Kendang dalam Jaipongan)”. Skripsi. Bandung: Jurusan

Karawitan ISBI.

Mulyana, Edi. (1997). “Proses Kreatif Gugum Gumbira dalam Penciptaan Tari Jaipongan”.

Skripsi. Bandung: Jurusan Tari STSI.

Mulyana, Edi dan Lalan Ramlan. (2012). “Keser bojong: Idealisasi Pencitraan Jaipongan Karya

Gugum Gumbira”. Jurnal Seni & Budaya Panggung, 22 (1), 37-51.https://jurnal.isbi.ac.id/in dex.php/panggung/article/view/34/37

Ramlan, Lalan. (2013). “Jaipongan: Genre Tari Generasi Ketiga dalam Perkembangan Seni Tari

Sunda”. Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts), 14 (1), 41-55. https://journal.isi.ac.id/index.php/resital/article/view/394/33

Ramlan, Lalan. (2016). “Ngigelkeun Lagu Model Kreativitas Kepenarian dalam Jaipongan”.

Jurnal Seni Makalangan, 3 (2), 20-32. https://jurnal.isbi.ac.id/index.php/makalangan/article/view/888/575

Ramlan, Lalan dan Jaja. (2019). “Estetika Tari Réndéng Bojong Karya Gugum Gumbira”. Jurnal Panggung, 29 (4), 328-342. https://jurnal.isbi.ac.id/indeks.php/panggung/article/view/1048/651

Ramlan, Lalan dan Jaja. (2021). “Dangiang Ing Raspati: Gaya Penyajian Tari Jaipongan

Putra”. Jurnal Seni Makalangan, 8 (2), 41-55. https://jurnal.isbi.ac.id/index.php/makalangan/article/view/1796/1170

Regina, Shinda, dkk. 2020. “Estetika Tari Jaipongan Kawung Anten Karya Gugum Gumbira”. Jurnal Seni Makalangan, 7 (2), 107-118. https://jurnal.isbi.ac.id/index.php/makalangan/article/view/1416/931

Rohidi, Tjetjep Rohendi. (2011). Metodologi Penelitian Seni. Semarang: CV. Cipta Prima

Nusantara.

Ruchimat, Ismet, dkk. 2013. “Laras dan Rumpaka dalam Garap Karawitan Jaipongan Jugala”.

Panggung, 23 (4), 434-442. https://jurnal.isbi.ac.id/index.php/panggung/article/view/155/155

Salman, Muad. (2019). “Tari Jaipongan Setra Sari Karya Gugum Gumbira di Padepokan

Jugala”. Skripsi. Bandung: Jurusan Pendidikan Seni Tari UPI.

Sugiyono. (2020). Metode Penelitian Kualitatif. Bandung: Alfabeta.




DOI: http://dx.doi.org/10.30870/jpks.v9i1.24651

Refbacks

  • There are currently no refbacks.


View My Stats
  • Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License. Copyright @Universitas Sultan Ageng Tirtayasa. All right reserved p-ISSN 2503-4626 | e-ISSN 2528-2387