MAKNA PERTUNJUKAN SENI CALUNG TARAWANGSA BAGI WARGA KABUPATEN TASIKMALAYA (STUDI FENOMENOLOGI)
Abstract
ABSTRACT
Along with the development of today's era and technology, cultural arts rarely show their existence and millennials have forgotten about the existence of cultural arts and traditions in Indonesia. Although there are still some millennials who care about cultural arts and traditions, they do not understand the meaning of these cultural arts. In West Java, Tasikmalaya has a variety of cultures and traditions, especially Tawarangsa, but today many Tasikmalaya millennials do not know the existence of these cultures and traditions. Of course, the researcher wants to preserve the existence and describe the implied meaning of Tarawangsa. Then what is the meaning of the Tarawangsa art performance in Tasikmalaya Regency? Using a phenomenological study approach, phenomenology is defined as natural phenomena, as well as events that can be felt and can be seen by the five senses, this gives the meaning that a phenomenon is something that can be seen, observed and interpreted as part of human life. The purpose of this study is to find out and understand further and in depth the meaning of the Tarawangsa Art Performance for the residents of Tasikmalaya Regency and describe the meaning implied in the Tarawangsa art performance. The method used in this research is a qualitative research method with a phenomenological approach to explain the meaning of Tarawangsa art performances in Tasikmalaya Regency. Researchers conducted observations and interviews in Cangkuang village, Cikukulu Village, Karangnunggal District, Tasikmalaya Regency, West Java Province. Interviews were conducted with key informants and several informants from Tarawangsa players and the surrounding community. From this study it can be concluded that the meaning of Tarawangsa, this performance is carried out for the ritual of the ngala pare (rice harvest) event. By playing Tarawangsa when the rice will be harvested and before the event is carried out, there is Mitamiyan/Mimitian (Starting) is an activity to mark with some rice stalks that are ready to be harvested in every corner of the rice fields. The whole series of rituals in the event of taking rice is accompanied by playing the art of Tarawangsa.
Keywords: Tarawangsa, meaning, performing arts, phenomenology.
Keywords
Full Text:
PDF 111-135References
Ardianto, Elvinaro. 2016. Metodologi Penelitian Untuk Public Relations Kuantitatif dan Kualitatif. Bandung: Simbiosa Rekatama Media.
Batubara, Serly Bina Astuti. 2010. Fungsi Dan Makna Tortor Pangurason Pada Upacara Pangurason Di Masyarakat Batak Toba Provinsi Sumatra Utara. Bandung: Universitas Pendidikan Indonesia.
Danesi, Marcel. 2011. Pesan, Tanda dan Makna. Yogyakarta: Jalasutra.
Djamal, M. 2017. Paradigma Penelitian Kualitatif. Yogyakarta: Mitra Pustaka.
Djaya, Tika Ristia. 2020. Makna Tradisi Tedhak Siten Pada Masyarakat Kendal: Sebuah Analisis Fenomenologis Alfred Schutz. Jurnal Ekonomi, Sosial dan Humaniora Vol. 1 No. 6. Jawa Tengah: Universitas Selamat Sri Kendal.
Farid, Muhammad. 2018. Fenomenologi Dalam Penelitian Ilmu Sosial. Jakarta: Prenadamedia Group.
Fasya, Sansan. Asep Wasta. Wan Ridwan Husen. 2020. Peran Dan Fungsi Kesenian Calung Tarawangsa Di Desa Parung Kecamatan Cibalong Kabupaten Tasikmalaya. Jurnal Pendidikan Seni Vol. 3 No. 1. Tasikmalaya: Universitas Muhammadiyah Tasikmalaya.
Hendrayana, Dian. Dkk. Pelurusan Istilah Kawih, Tembang, dan Cianjuran. Jurnal Panggung V30/N3/09/2020 Bandung: Universitas Padjadjaran
Kriyantono, Rachmat. 2006. Teknik Praktis Riset Komunikasi. Jakarta: Kencana Pranadamedia Group.
Moleong, Lexy J. 2017. Metode Penelitian Kualitatif. Bandung: PT Remaja Rosdakarya.
Mpss, Pudentia. 2015. Metodologi Kajian Tradisi Lisan. Jakarta: Yayasan Pustaka Obor Indonesia.
Ngalimun. 2018. Komunikasi Interpersonal. Yogyakarta: Pustaka Pelajar
Pawito. 2008. Penelitian Komunikasi Kualitatif. Yogyakarta: LKis Pelangi Aksara Yogyakarta.
Pujileksono. Sugeng. 2016. Metode Penelitian Komunikasi Kualitatif. Malang: Kelompok Intrans Publishing.
Rahayu, Sumiarti Darni dan Darmawati. 2019. Sistem Manajemen Sanggar Seni Sarai Sarumpun Di Kota Padang. Jurnal Sendratasik Vol. 8 No. 1. Padang: Universitas Negeri Padang.
Rorong, Michael Jibrael. 2020. Fenomenologi. Yogyakarta: Deepublish.
Sugiantomas, Aan. Asep Jejen Jaelani. Ayya Natashya Supriatna. 2017. Humor Jui Purwoto, Cak Lontong, Pandji Pragiwaksono, Dan Ernest Prakas Dalam Stand Up Comedy (Analisis Makna Kontekstual, Makna Konseptual, Dan Teori Humor Dalam Kalimat Humor). Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 10 No. 1. Kuningan: Universitas Kuningan.
Sugiyono. 2017. Metode Penelitian Kualitatif. Bandung: Alfabeta.
Sugiyono. 2017. Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: Alfabeta.
Wijayanti, Hesti. 2016. Pawang Dalam Seni Pertunjukan Jaranan Di Desa Sranten Kecamatan Karanggede Kabupaten Boyolali. Semarang: Universitas Negeri Semarang.
DOI: http://dx.doi.org/10.31506/jsc.v0i0.18273
Refbacks
- There are currently no refbacks.